Walrus Audio

The Phoenix Clean Power Supply is a 15-output isolated power supply, utilizing two internal custom wound toroidal transformers to provide the highest noise filtering and cleanest power, giving artists the purest sound in their signal chain possible.

The Phoenix fits under most pedal boards including Pedaltrain (PT JR and up), Pedal Pad, Blackbird Boards, Creation Music Company, and Holeyboards. We recommend high profile dual lock for mounting the Phoenix under your board. The Phoenix comes in a durable frosted charcoal texture enclosure and can more than hold up to the demands of touring.

The Walrus Audio Aetos is an 8-output, isolated power supply, utilizing an internal custom wound toroidal transformer to provide the highest noise filtering and cleanest power, giving artists the purest sound in their signal chain. The Aetos is housed in a solid die cast enclosure and is 4.7”long  x 3.7” wide x 2” height and  has 8 total 9VDC outputs, 6 are 100mA and 2 outputs are high current outputs (300mA)  for higher current drawing pedals like line 6 DL series modelers, the Boss Twin Series Pedals and many digital modulation pedals on the market.

The Monument returns in a smaller form factor with new features, like assignable expression control and rate ramp up.

Changes to the V2 are as follows:

• Converted to smaller enclosure
• Expanded capability of side jack: now supports external tempo or can function as expression control over Rate, Depth, Shape, or Tap Multiplier and is assignable on the fly. See manual for details.
• Improved tremolo response across all rates.
• Top mounted jacks.

Inspired by the beautifully jagged, red-sand desert landscape of Monument Valley, the Monument Tremolo is both a harmonic, and standard tremolo that produces a rich, luscious, warm pulsating modulation capable of peaks and valleys as smooth or as jagged as the real ones that our dear mother nature created long ago. 

With different combinations of the rate, division and shape knobs and tap tempo, everything from traditional tremolo to inspiring unique waveforms will help you carve new paths that you won’t hear anywhere else.

Harken back to vintage tones inspired by Fender Brownface amps in Harmonic mode. A low-pass and high-pass version of your guitar signal is modulated opposite of each other, or 180º out of phase (high and low frequencies rise and fall opposite of each other). The result is a warm, almost “chewy” tremolo.

The Division knob can be set to quarter, triplet, eighth and sixteenth.

Wave shapes can be controlled via the Shape knob. You can move between Sine, Square, Ramp, Lumps and Monument Mode (random).

A special feature on the Monument is the bypass switch also has a momentary function. When the switch is in off position, press and hold to temporarily activate the effect to add a moment of texture. Releasing the switch turns the effect off.

When the pedal is on, press and hold the bypass switch to ramp up the tremolo rate. Release the switch and the rate will ramp down to previously set tempo.

Setting the depth knob at 0 and the volume knob above unity creates a clean boost.

Updated in all the right places for top notch tone and playability.  

Updates to the V3 are as follows:
• Added Tone knob (bass cut) for the ability to shape the low end of your guitar signal.
• Soft switch/relay bypassing for smoother more reliable operation.
• Moved to top mounted in/out jacks.
• Updated art by Adam Forster that gives a humble nod to the original art that started it all.

The Deep Six is a true bypass studio-grade compressor in stomp box form, inspired by the performance of the Universal Audio 1176 with the simplicity of the Ross and Dynacomp. Offering a Level, Sustain, Attack, and Blend control, the Deep Six will give you unmatched versatility at a price you can afford.

Polarity will never be an issue as the Deep Six comes standard with a polarity correction circuit. The internal voltage is doubled to 18 volts giving you the maximum amount of headroom for your sound while maintaining a typical current draw of 8.9mA.

The Deep Six also offers a Blend and Attack control which allows you to use the pedal with active pickups or humbuckers. The blend feature allows you to use high output instruments while truly being able to dial out any distortion that may be present.

The Julia is a fully analog, feature-rich chorus/vibrato packed with a wide array of tonal landscapes begging to be explored. Updated for 2020, Julia now has top mounted jacks, soft switch bypassing and updated art from Adam Forster. 

Julia is able to produce mild smooth chorus, to seasick vibrato and everywhere in between. With controls like Lag, Dry-Chorus-Vibrato Blend, and selectable analog LFO wave shapes, you are able to dial in all types of classic and unique chorus/vibrato sounds; some settings giving a familiar feel while others are not found on traditional chorus pedals.

A special feature of the Julia is the Lag control. The Lag knob lets you set the center delay time that the LFO effect modulates from. From smooth and tight modulation at lower settings, to warbling detune at maximum, the Lag knob adds a new dimension to the traditional Chorus/Vibrato landscape. 

D-C-V KNOB
While most chorus/vibrato pedals offer a toggle to go between the two effects, we’ve provided a knob to blend between Dry, Chorus, into Vibrato (labeled d-c-v on the pedal). The Dry-Chorus-Vibrato Blend changes the ratio of dry to wet signal sent to the output. At minimum, you will hear no effect. Set it to noon for equal parts dry and wet – the traditional chorus setting. Set it to maximum for 100% wet – the traditional vibrato setting. Explore the ground between minimum and noon for adding slight amounts of movement to your dry signal (also making the Julia great on bass guitar). Explore the ground between noon and maximum for all sorts of unheard chorus/vibrato combinations.

The Jupiter V2 has some new updates making it an even more essential fuzz to any player's signal chain.

• Increase of gain on tap.

• Adjusted volume control making it easier to dial in unity gain.

• Altered tone control for improved high frequency response.

• Added gate control via internal trim pot to tame noise, or to achieve the spatty "dying battery" tones.

• Killer new artwork and a new coal sparkle powder coat on the enclosure.

• Brushed Aluminum knobs

The Jupiter is a true bypass fuzz pedal inspired by the desire for gritty, thick and loud fuzz. Fuzz pedals tend to emphasize specific frequency ranges, which is both a positive and negative attribute. The Jupiter’s controls allow you the ability to dial in the right amount of fuzz with the right tonal quality to either stand out in the mix, or ride it out with the drums and rhythm. It includes a Mode switch that changes between three different clipping diode arrangements, providing more options and combinations of fuzz and tone and a Bass cut toggle switch for dialing in low end.

Dynamic, responsive, tube-like, and amp-like. Walrus Audio is extremely excited to announce the new 385 Overdrive that is boastfully responsible for all those adjectives. For decades now, guitarists in search of pure tone have been taking the tube-powered audio sections of vintage film projectors and using it as a guitar amp. Heads up – it sounds amazing.

After endless hours of research on vintage Bell and Howell 385 Filmosound projector, Walrus has created a fantastic new overdrive modeled after the projector’s tone. The Bell and Howell 385 gracefully lends itself to create an amazing guitar amp. Its simple, but effective controls, plus dual 6V6 output section make for a simple and extremely responsive amp that has an amazing compressed overdrive when cranked.

THIS was the sound and feel Walrus needed to shoot for in an amp-like pedal. The 385 was developed to have the same simple but effective tone control as it’s grandfather. The amp has this as well but bass and treble are stacked behind the single tone knob. With our design breaking them up, we allow for a much wider array of tones to be achieved. The user is able to boost and cut bass and treble, allowing them to be creative with mid-frequency scoops and bumps.

The pedal is internally running at 18v, which helps us nail the same dynamic feel of the amp in a stomp box. This means it is extremely sensitive to how hard you dig in – just like the amp. 

The Voyager is a gain/preamp overdrive that boasts a full spectrum of tone from any setting on its simple set of controls. From its lowest to highest settings, the Voyager provides a uniquely superb amount of clarity to any style of playing.

At lower gain settings, it brightens the signal and adds clarity to each note played. With the gain turned up, the Voyager transforms into a thick overdrive, providing depth to chorded playing while retaining the clarity needed to break through on solos. Has True Bypass switching.

The Warhorn is a mid-range, transparent overdrive pedal that’s capable of punchy rhythm, to searing Texas Blues leads. For added versatility, the pedal features a toggle switch that provides two flavors of clipping. The up position is a more compressed, symmetrically clipped tone, and the down position is an asymmetric, more open and organic sound. It includes Level, Drive, Bass and Treble controls providing a large range of tweaking and shaping options for your original tone.

The Warhorn comes in “prismatic gold” enclosure with white, cream and black ink. Artwork features a warrior at the front lines brandishing an intricate battle horn leading his army in a victorious battle.

For Ages, overdrive has been the one effect vital for so many. It’s used to charge through front lines of the mix and deliver a clear message that won’t soon be forgotten to its loyal listeners. Ages is a massively versatile overdrive machine standing at the ready for any amp and pickup combination that is thrown at it. An overdrive with innovative features that can stand on its own and stack well with other drives, Ages is ready to stand its ground and convey an unforgettable sound.

The five-position rotary knob offers the following gain states:

I.    Low-gain mode with symmetric silicon soft clipping. Compressed and smooth.
II.   Low-gain mode with symmetric LED soft clipping. Pushed, open, and sparkly. 
III.  High-gain mode with symmetric silicon soft clipping. Increased saturation and tight.
IV.  High-gain mode with symmetric LED soft clipping. Saturated, punchy and big.
V.   High-gain mode with symmetric silicon hard clipping. Heavy compression, thick and chewy.

Think of each position as a different “flavor” of the pedal. Fine-tune each of these gain states with the dry knob for a near infinite supply of gain options. 

Built from the ground up, Walrus Audio has developed a new 2-in-1 boost to help make leads stand out, slides sing, finger picking come to life and to push tube amps into great natural breakup. Like the veins its named after, the Emissary Parallel Boost features two independent boost circuits running in parallel to work together to help give your tone a real “sinus clearing experience”. Use one or the other by itself, or mix any combination of both by turning up each knob to the desired level.

The top knob controls the volume for the “bright” boost circuit. This is a clean, high headroom JFET boost, with a slight emphasis on higher frequencies to liven up your tone. The bottom knob controls the volume for the “mid” boost circuit. This circuit features a targeted boost at either 1kHz or 800Hz selected by the toggle switch.

The bypass switch also features a momentary function. When the bypass switch is in off position, press and hold to temporarily activate the effect. Releasing the switch turns the effect off.