For singer/songwriters who play acoustic guitar, it’s a competitive, crowded world out there. The VE-8 Acoustic Singer delivers that extra edge you need to stand out and shine, supporting you with professional BOSS sound every time you perform. Simple to use, the VE-8 provides studio-quality voice and guitar processing plus impressive real-time harmonies and looping in one compact, go-everywhere package. With such great sound and powerful creative features at your command, you’re destined to bring down the house everywhere you play.
The genuine BOSS and Roland Dimension effect is back, and it’s now more versatile than ever! Designed in the premium Waza Craft analog tradition, the DC-2W offers not just a perfect sonic recreation of the original DC-2 Dimension C pedal, but also the legendary SDD-320 Dimension D studio rack effect it was based on. The DC-2W features the same intuitive four-button preset interface as the original ‘80s-era effects, now evolved with electronic switching that unlocks a multitude of sonic variations not available on the vintage units.
Highly sought-after by musicians and audio engineers, the Dimension’s unique spatial processing magically enhances the width and depth of any sound, from electric and acoustic guitars to keyboards, vocals, and other sources. Built from the original circuit designs and updated with modern refinements, the DC-2W is the only pedal available that delivers the classic Dimension experience with complete sonic authenticity.
Combining high-end sound and wide-ranging versatility, the RV-6 takes pedal-based reverb to the next level. Reaching beyond the capabilities of previous generations, this powerful stomp employs the latest tech and legendary BOSS know-how to make it easy to get amazing reverb tones instantly. From subtle rooms to modern shimmer effects to long, evocative reverbs, the RV-6 envelops your tone in lush ambient spaces that endlessly inspire.
THE ICONIC DIGITAL DELAY, ENHANCED FOR MODERN PLAYERS
BOSS’s iconic DD-3 Digital Delay has been a pedalboard staple since 1986, loved everywhere for its great sound and simple operation. With the DD-3T, we’ve updated the classic stomp with enhanced functionality while fully retaining the original’s sound and control layout. It’s now possible to tap in delay tempos using the onboard switch or an external one, with your choice of three beat subdivisions. And the direct output jack has been moved next to the main output, providing easier connectivity for wet/dry setups.
A good condition EX-7 by Digitech, has typical signs of wear from use
"DigiTech EX-7 Expression Factory Pedal at a Glance:
Inspired by seven classic expression pedals
Also functions as volume pedal
Inspired by seven classic expression pedals You could pay $1,000 or more for separate expression pedals plus a vintage Leslie and still not get the tone and versatility we've engineered into the Expression Factory. If treading a treadle is part of your sound, you've just found the perfect tool.
EX-7 Expression Factory settings are inspired by:
Dunlop Cry Baby Wah
Vox Clyde McCoy Wah
DigiTech XP300 Space Station
Leslie 145 Rotary Speaker
Based on Dunlop Cry Baby: One of the most popular iterations of the Wah pedal with a slightly thicker tone than a Vox®, reminiscent of late '60s and early 70's Guitar Gods. Frequency Range, Q (Shape), Volume controls; Xpression pedal changes Wah effect.
Based on Vox Clyde McCoy Wah: The 1966 original. Though it was designed for the guitar, it was initially aimed at trumpet players, which is why horn player Clyde McCoy's name graces the pedal today. Frequency Range, Q (Shape), Volume controls; Xpression pedal changes Wah effect.
Based on DigiTech XP300 Space Station/Synth Swell: The most popular tone from a very rare pedal, Synth Swell packs an entire outer-space string orchestra into your guitar, let you create other-worldly effects and flourishes via the expression pedal. Pitch Shft, Chorus/Pitch Balance, Swell Attack Time controls; Xpression pedal changes input level (volume swell).
Based on DigiTech Whammy: The one and only, to use an expression. Smooth pitch bends, rich detuning, deadly dive bombs and fasttracking harmony shifts, just like the original. Whammy Shift, Tone, Wet/Dry controls; Xpression pedal changes pitch shift.
Based on Unicord Univibe: The chorus standard since the late 60's for adding lush depth and dimension. True to the original, our model also offers both vibrato and chorus. Chorus/Vibrato, Intensity, Volume controls; Xpression pedal changes modulation speed.
Based on Leslie 145 rotary speaker: Add the meticulously modeled sound of the Leslie 145 rotary speaker. This is as real as it gets without lugging a 160-pound cabinet around with you. Drive, Min Sweep, Max Sweep controls; Xpression pedal changes rotary speed.
Based on the A/DA Flanger: The Holy Grail of all flangers with a dramatic jet-engine fly-by sweep. Rarer than a 7-string Strat - and its optional foot controller is even harder to find! Range, Speed, Enhance controls; Xpression pedal changes sweep.
Includes built-in DF-7 Distortion Factory pedal effects Thanks to two-in-one concentric controls, you can tweak three key controls of each expression effect and season them with your choice of seven classic distortion stompbox models piped in from DigiTech's DF-7 Distortion Factory.
DF-7 Distortion Factory Effects Include:
Ibanez TS9 Fender 1965 Deluxe Reverb 1x12
DOD 250 Marshall 4 x12
Boss DS-1/Johnson Amplification 4 x12
Pro Co Rat/Fender Bassman 2 x12
Boss Metal Zone/Johnson 4 x12
DigiTech Metal Master/VHT Amplification 4x12
EH Big Muff pi/Marshall 4x12 w/25- watt Celestion
DigiTech EX-7 Expression Factory Pedal Features:
Seven classic expression pedal models with six controls each - three expression effect controls plus three distortion controls
Seven classic distortion stompbox models
Flexible Output Mode and separate amp and CIT mixer outputs - feeds for your stage rig and PA system
a used and in good condition Blonde by Tech21, has typical signs of wear from use
from Tech21's website
"Does a two-faced blonde sound like trouble? We hope so, when those faces are silver and black and this Blonde rocks pure American tone to the stratosphere. Sparkly, spanky cleans that overdrive with a satisfying low-end rumble become the punchy bark of hard-pushed tweed, maxing out in a fat sizzle of lead boosted tone. Take the reins and don’t spare the emulated Jensens®, this Blonde is a wild ride through American rock history."
INTELLIGENT MULTIBAND COMPRESSION FOR DYNAMIC PLAYERS
Equipped with cutting-edge BOSS technology, the BC-1X Bass Comp performs far beyond the capabilities of conventional bass compressor pedals. This premium stompbox features pro-level multiband compression controlled by intelligent circuitry, making it simple to dial in natural sounds for any playing style. The advanced design responds to different dynamics and registers to apply the perfect amount of compression in real time, ensuring that your tone never gets over-squeezed or muddy. Transparent, powerful, and easy to use, the BC-1X is a must-have tool that delivers studio-quality punch and precision for dynamic players.
Warm, analog-style saturation and gorgeous ‘tape’ warble combine to make the Hammertone™ Space Delay a perfect companion for any ambience-inclined soundscapist. From subtle and natural repeats to awesomely oscillating waves of tone, the Space Delay delivers everything you need to create your next atmospheric masterpiece. Analog Dry-Through keeps your tone pure when the effect is on, while the pedal board-friendly top-mounted in & out jacks and true bypass footswitch mean it will integrate seamlessly into your rig.
Subtly sweetened leads, clucky country slap back, surfy swells, rhythmic dotted-eighths and huge ambient washes – it’s been a defining factor in just about every genre of guitar music. The Hammertone™ Delay provides up to 950ms of crisp and clean delay, lush modulation at the flick of a switch and three different delay types. Analog Dry-Through keeps your tone pure when the effect is on, while the pedal board-friendly top-mounted in & out jacks and true bypass footswitch mean it will integrate seamlessly into your rig.
Originally achieved by physically pushing the tape flange on a reel-to-reel recording device, flanging is one of the earliest guitar-effects. The Hammertone™ Flanger delivers dramatic, rushing jet stream waves and subtler, swirling tendrils of modulation. Pedal board-friendly top-mounted in & out jacks and true bypass footswitch mean it will integrate seamlessly into your rig.
Aggressive and dynamic distortion can be elusive – with powerful tone-shaping EQ controls, top-mounted in & out jacks and true bypass switching, the Hammertone™ Metal delivers chunky high gain that sits perfectly in a mix and will integrate seamlessly into your rig.
Whether you’re pushing your cranked amp into full-blown distortion or just adding some warmth, grit and character to your clean sound, the Hammertone™ Overdrive is an essential addition to your rig. This compact drive packs a big punch – the pre-gain mid boost adds the perfect edge for cutting through the mix, while the pedal board-friendly top-mounted in & out jacks and true bypass footswitch mean it will integrate seamlessly into your rig.
Unique Fender®-Designed Analog Overdrive Circuit
Pre-Gain Mid Boost
Top Mount Input/Output Jacks
Powered by 9-Volt Battery or Center Negative AC Adaptor, Not Included
Fender & Reverb – name a more iconic duo… we’ll wait.
The Hammertone™ Reverb delivers three classic reverb effects – Hall, Room and Plate – in a compact stomp that will integrate seamlessly into your rig. Powerful damping control and tone switch offer supreme flexibility, while the Fender-designed on-board reverb tones are perfect for subtle to extreme ambience.
Fender®-designed Reverb Effect
Type & Tone Switches
Top Mount Input/Output Jacks
Powered by 9-Volt Center Negative AC Adaptor, Not Included
Powered by BOSS’s MDP technology, the CP-1X is a new type of multiband compressor for guitar that preserves the character of your instrument and technique for unlimited musical expression. Intelligent processing analyzes your signal in multiple dimensions as you play, providing advanced dynamics control that never colors or muddies your tone like typical stompbox compressors can. The simple, four-knob interface makes it easy to dial in sophisticated results, while the handy gain reduction indicator always shows you how much compression is being applied. Optimized for all types of guitars, the CP-1X offers next-generation performance for every style of music.
The Monument returns in a smaller form factor with new features, like assignable expression control and rate ramp up.
Changes to the V2 are as follows:
• Converted to smaller enclosure • Expanded capability of side jack: now supports external tempo or can function as expression control over Rate, Depth, Shape, or Tap Multiplier and is assignable on the fly. See manual for details. • Improved tremolo response across all rates. • Top mounted jacks.
Inspired by the beautifully jagged, red-sand desert landscape of Monument Valley, the Monument Tremolo is both a harmonic, and standard tremolo that produces a rich, luscious, warm pulsating modulation capable of peaks and valleys as smooth or as jagged as the real ones that our dear mother nature created long ago.
With different combinations of the rate, division and shape knobs and tap tempo, everything from traditional tremolo to inspiring unique waveforms will help you carve new paths that you won’t hear anywhere else.
Harken back to vintage tones inspired by Fender Brownface amps in Harmonic mode. A low-pass and high-pass version of your guitar signal is modulated opposite of each other, or 180º out of phase (high and low frequencies rise and fall opposite of each other). The result is a warm, almost “chewy” tremolo.
The Division knob can be set to quarter, triplet, eighth and sixteenth.
Wave shapes can be controlled via the Shape knob. You can move between Sine, Square, Ramp, Lumps and Monument Mode (random).
A special feature on the Monument is the bypass switch also has a momentary function. When the switch is in off position, press and hold to temporarily activate the effect to add a moment of texture. Releasing the switch turns the effect off.
When the pedal is on, press and hold the bypass switch to ramp up the tremolo rate. Release the switch and the rate will ramp down to previously set tempo.
Setting the depth knob at 0 and the volume knob above unity creates a clean boost.
The Jupiter V2 has some new updates making it an even more essential fuzz to any player's signal chain.
•Increase of gain on tap.
•Adjusted volume control making it easier to dial in unity gain.
•Altered tone control for improved high frequency response.
•Added gate control via internal trim pot to tame noise, or to achieve the spatty "dying battery" tones.
•Killer new artwork and a new coal sparkle powder coat on the enclosure.
•Brushed Aluminum knobs
The Jupiter is a true bypass fuzz pedal inspired by the desire for gritty, thick and loud fuzz. Fuzz pedals tend to emphasize specific frequency ranges, which is both a positive and negative attribute. The Jupiter’s controls allow you the ability to dial in the right amount of fuzz with the right tonal quality to either stand out in the mix, or ride it out with the drums and rhythm. It includes a Mode switch that changes between three different clipping diode arrangements, providing more options and combinations of fuzz and tone and a Bass cut toggle switch for dialing in low end.
The BOSS RC-1 is our simplest and most user-friendly Loop Station ever, and it’s a ton of fun! Since the RC-20 Loop Station was first released in 2001, BOSS has led the way by continually releasing new looping products. Though they’ve been used and enjoyed by various looping artists and performers, BOSS still pursued an easier and more affordable solution. The RC-1 is a straightforward looper that is easy to operate. Experience the fun of looping when you record, playback, overdub, and undo or redo loops using this compact BOSS stompbox. And of course, the RC-1 retains the BOSS quality and performance that musicians around the world have come to expect and rely on.
On the top panel, there is a new and innovative loop indicator, which consists of a 24-segment LED laid out in a circular pattern. You can quickly and easily determine the current status of the Rec/Overdub/Play modes. With a maximum 12 minutes of stereo recording time, the RC-1 is capable of capturing any extended performance that you can create or imagine! The stereo in/out jacks can be used with stereo effects and amplifiers. Additionally, they allow you to connect stereo instruments, such as synthesizers. Other convenient features include battery and AC power, as well as flexible external footswitching capabilities. The RC-1 is an especially great partner to start enjoying looping!
The BOSS BF-3 Flanger pedal lets guitarists and bassists apply big stereo flanging effects to their rigs easily, at a very affordable price! This stompbox fits your pedalboard and gives you the great sound of the venerable BF-2 while adding two new modes. Plus tap-tempo and momentary flange make your axe stand out when you want it to. The BF-3 includes separate guitar and bass inputs, stereo outputs, and easy-to-use controls. You want fat, dimensional flanging effects? Check out the BOSS BF-3!
Step up to the RC-5 and prime your pedalboard with maximum looping range. Capture sound with premium 32-bit quality, navigate parameters and monitor loop status with the backlit LCD, and tap into expanded operation via the control jack and TRS MIDI I/O. And with over 50 rhythms, 13 hours of stereo recording, 99 phrase memories, and more, the compact RC-5 puts a deep well of musical power at your feet.
Ultra-portable and easy to use, the GT-1 delivers pro-level tones everywhere you play. Driven by the powerful BOSS GT-series engine, it gives you access to a huge selection of world-class amps and effects for all types of music. A streamlined interface enables quick and intuitive sound creation, while an assignable control switch and expression pedal provide dynamic real-time effects adjustment. And by connecting to BOSS TONE CENTRAL, you can download free pro patches, editing software, and more. Equally suited for beginners, weekend warriors, and traveling players, the GT-1 packs premium sound in a compact and rugged package.
The ODB-3 Bass OverDrive delivers the chest-resonating distortion that hard rock, thrash, and punk bassists have been waiting for. This hot compact pedal has been designed specifically for bass applications.
The Voyager is a gain/preamp overdrive that boasts a full spectrum of tone from any setting on its simple set of controls. From its lowest to highest settings, the Voyager provides a uniquely superb amount of clarity to any style of playing.
At lower gain settings, it brightens the signal and adds clarity to each note played. With the gain turned up, the Voyager transforms into a thick overdrive, providing depth to chorded playing while retaining the clarity needed to break through on solos. Has True Bypass switching.
The Warhorn is a mid-range, transparent overdrive pedal that’s capable of punchy rhythm, to searing Texas Blues leads. For added versatility, the pedal features a toggle switch that provides two flavors of clipping. The up position is a more compressed, symmetrically clipped tone, and the down position is an asymmetric, more open and organic sound. It includes Level, Drive, Bass and Treble controls providing a large range of tweaking and shaping options for your original tone.
The Warhorn comes in “prismatic gold” enclosure with white, cream and black ink. Artwork features a warrior at the front lines brandishing an intricate battle horn leading his army in a victorious battle.
For Ages, overdrive has been the one effect vital for so many. It’s used to charge through front lines of the mix and deliver a clear message that won’t soon be forgotten to its loyal listeners. Ages is a massively versatile overdrive machine standing at the ready for any amp and pickup combination that is thrown at it. An overdrive with innovative features that can stand on its own and stack well with other drives, Ages is ready to stand its ground and convey an unforgettable sound.
The five-position rotary knob offers the following gain states:
I. Low-gain mode with symmetric silicon soft clipping. Compressed and smooth. II. Low-gain mode with symmetric LED soft clipping. Pushed, open, and sparkly. III. High-gain mode with symmetric silicon soft clipping. Increased saturation and tight. IV. High-gain mode with symmetric LED soft clipping. Saturated, punchy and big. V. High-gain mode with symmetric silicon hard clipping. Heavy compression, thick and chewy.
Think of each position as a different “flavor” of the pedal. Fine-tune each of these gain states with the dry knob for a near infinite supply of gain options.
Built from the ground up, Walrus Audio has developed a new 2-in-1 boost to help make leads stand out, slides sing, finger picking come to life and to push tube amps into great natural breakup. Like the veins its named after, the Emissary Parallel Boost features two independent boost circuits running in parallel to work together to help give your tone a real “sinus clearing experience”. Use one or the other by itself, or mix any combination of both by turning up each knob to the desired level.
The top knob controls the volume for the “bright” boost circuit. This is a clean, high headroom JFET boost, with a slight emphasis on higher frequencies to liven up your tone. The bottom knob controls the volume for the “mid” boost circuit. This circuit features a targeted boost at either 1kHz or 800Hz selected by the toggle switch.
The bypass switch also features a momentary function. When the bypass switch is in off position, press and hold to temporarily activate the effect. Releasing the switch turns the effect off.
The high-impedance FV-50H is designed to be connected before guitar effect units in the signal chain.The low-impedance FV-50L is a stereo volume pedal that can be used for a wide variety of purposes including keyboards.
Combining sophisticated sound with simple operation, the VE-2 Vocal Harmonist delivers a complete effects solution for all singers, particularly those that perform with guitar. This portable, battery-powered stompbox has everything you need to create polished, studio-quality sounds everywhere you sing, from concert stages and street performances to practicing and having fun at home. The VE-2 magically creates beautiful harmonized vocals that follow your singing, with pitch that automatically tracks the chords played on a connected guitar, a preset key, or a combination of the two. Using one of these three operation modes, it’s easy to create perfect real-time harmonies in any key, even if you have no experience with gear or music theory. In addition to harmony, the VE-2 provides essential effects to enhance your voice, such as high-quality reverb/delay and an enhancer with real-time pitch correction. Also included is a USB audio function that allows you to connect to your computer and easily capture impressive VE-2 vocal sounds for music recordings, social media videos, and more.
The BOSS PH-3 Phase Shifter pedal provides a wealth of vintage and modern phasing effects, including new "Rise" and "Fall" modes for unique, unidirectional phasing. Syncing these phasing effects is as simple as tapping the pedal to the desired tempo, while an optional expression pedal provides realtime control of the PH-3's Rate, Filter and Tempo.
We helped generate the classic guitar tones that inspired players to create new music, and now with the Santa Ana Overdrive, we’ve brought our expertise to stompboxes. Armed with FET technology, this pedal lets you dial in sounds varying from “just a little hairy” all the way to thick, fully saturated overdrive. The flexible tone controls unlock a wide range of sonic flavors. This pedal cleans up with the guitar’s volume control, just like our famous amplifiers.
There’s no denying the power of a good delay; ranging from subtle to smashing, this ambient effect is one of the cornerstones of modern music. The Mirror Image Delay brings this atmospheric effect to your rig, giving you the ability to create depth with a simple slapback or develop an epic soundscape with modulated repeats. Digital, Analog, and Tape modes—each with two voicing variations—make this expressive and inspiring pedal indispensable. It even has the option to add a dotted-eighth note for those Irish-inspired washes of sound. The delay tails continue when the pedal is bypassed, ensuring a natural sound.
The BOSS CH-1 Super Chorus pedal offers up classic clean and shimmering chorus tones - it's arguably the best-selling chorus pedal on the planet, and a stellar pick for any guitarist or keyboardist. The CH-1's four onboard controls let you take charge of your chorus sound - there are effect level, EQ, rate, and depth controls. Crank up the rate for a dizzying psychedelic twist - or, pull back the rate, turn up the depth, and use the BOSS CH-1 in stereo for a lush, wide wave.