INTELLIGENT MULTIBAND COMPRESSION FOR DYNAMIC PLAYERS
Equipped with cutting-edge BOSS technology, the BC-1X Bass Comp performs far beyond the capabilities of conventional bass compressor pedals. This premium stompbox features pro-level multiband compression controlled by intelligent circuitry, making it simple to dial in natural sounds for any playing style. The advanced design responds to different dynamics and registers to apply the perfect amount of compression in real time, ensuring that your tone never gets over-squeezed or muddy. Transparent, powerful, and easy to use, the BC-1X is a must-have tool that delivers studio-quality punch and precision for dynamic players.
Warm, analog-style saturation and gorgeous ‘tape’ warble combine to make the Hammertone™ Space Delay a perfect companion for any ambience-inclined soundscapist. From subtle and natural repeats to awesomely oscillating waves of tone, the Space Delay delivers everything you need to create your next atmospheric masterpiece. Analog Dry-Through keeps your tone pure when the effect is on, while the pedal board-friendly top-mounted in & out jacks and true bypass footswitch mean it will integrate seamlessly into your rig.
Subtly sweetened leads, clucky country slap back, surfy swells, rhythmic dotted-eighths and huge ambient washes – it’s been a defining factor in just about every genre of guitar music. The Hammertone™ Delay provides up to 950ms of crisp and clean delay, lush modulation at the flick of a switch and three different delay types. Analog Dry-Through keeps your tone pure when the effect is on, while the pedal board-friendly top-mounted in & out jacks and true bypass footswitch mean it will integrate seamlessly into your rig.
Originally achieved by physically pushing the tape flange on a reel-to-reel recording device, flanging is one of the earliest guitar-effects. The Hammertone™ Flanger delivers dramatic, rushing jet stream waves and subtler, swirling tendrils of modulation. Pedal board-friendly top-mounted in & out jacks and true bypass footswitch mean it will integrate seamlessly into your rig.
Aggressive and dynamic distortion can be elusive – with powerful tone-shaping EQ controls, top-mounted in & out jacks and true bypass switching, the Hammertone™ Metal delivers chunky high gain that sits perfectly in a mix and will integrate seamlessly into your rig.
Whether you’re pushing your cranked amp into full-blown distortion or just adding some warmth, grit and character to your clean sound, the Hammertone™ Overdrive is an essential addition to your rig. This compact drive packs a big punch – the pre-gain mid boost adds the perfect edge for cutting through the mix, while the pedal board-friendly top-mounted in & out jacks and true bypass footswitch mean it will integrate seamlessly into your rig.
Unique Fender®-Designed Analog Overdrive Circuit
Pre-Gain Mid Boost
Top Mount Input/Output Jacks
Powered by 9-Volt Battery or Center Negative AC Adaptor, Not Included
Fender & Reverb – name a more iconic duo… we’ll wait.
The Hammertone™ Reverb delivers three classic reverb effects – Hall, Room and Plate – in a compact stomp that will integrate seamlessly into your rig. Powerful damping control and tone switch offer supreme flexibility, while the Fender-designed on-board reverb tones are perfect for subtle to extreme ambience.
Fender®-designed Reverb Effect
Type & Tone Switches
Top Mount Input/Output Jacks
Powered by 9-Volt Center Negative AC Adaptor, Not Included
Walrus Audio Phoenix 120V (15-Output) Isolated Pedal Power Supply
The Phoenix Clean Power Supply is a 15-output isolated power supply, utilizing two internal custom wound toroidal transformers to provide the highest noise filtering and cleanest power, giving artists the purest sound in their signal chain possible.
The Phoenix fits under most pedal boards including Pedaltrain (PT JR and up), Pedal Pad, Blackbird Boards, Creation Music Company, and Holeyboards. We recommend high profile dual lock for mounting the Phoenix under your board. The Phoenix comes in a durable frosted charcoal texture enclosure and can more than hold up to the demands of touring.
Walrus Audio Aetos 120V (8-Output) Isolated Pedal Power Supply
The Walrus Audio Aetos is an 8-output, isolated power supply, utilizing an internal custom wound toroidal transformer to provide the highest noise filtering and cleanest power, giving artists the purest sound in their signal chain. The Aetos is housed in a solid die cast enclosure and is 4.7”long x 3.7” wide x 2” height and has 8 total 9VDC outputs, 6 are 100mA and 2 outputs are high current outputs (300mA) for higher current drawing pedals like line 6 DL series modelers, the Boss Twin Series Pedals and many digital modulation pedals on the market.
It comes with a detachable 120V AC Power cord and also has a 120VAC complimentary power output. This unit comes with 8 – 2.1mm barrel black power cables and 2 black-to-red (Line 6) power cables. We recommend high profile dual lock for mounting the Phoenix under your board. Fits under most pedal boards including Pedaltrain (PT JR and up), Pedal Pad, Blackbird Boards, Creation Music Company, and Holeyboards.
The Monument returns in a smaller form factor with new features, like assignable expression control and rate ramp up.
Changes to the V2 are as follows:
• Converted to smaller enclosure • Expanded capability of side jack: now supports external tempo or can function as expression control over Rate, Depth, Shape, or Tap Multiplier and is assignable on the fly. See manual for details. • Improved tremolo response across all rates. • Top mounted jacks.
Inspired by the beautifully jagged, red-sand desert landscape of Monument Valley, the Monument Tremolo is both a harmonic, and standard tremolo that produces a rich, luscious, warm pulsating modulation capable of peaks and valleys as smooth or as jagged as the real ones that our dear mother nature created long ago.
With different combinations of the rate, division and shape knobs and tap tempo, everything from traditional tremolo to inspiring unique waveforms will help you carve new paths that you won’t hear anywhere else.
Harken back to vintage tones inspired by Fender Brownface amps in Harmonic mode. A low-pass and high-pass version of your guitar signal is modulated opposite of each other, or 180º out of phase (high and low frequencies rise and fall opposite of each other). The result is a warm, almost “chewy” tremolo.
The Division knob can be set to quarter, triplet, eighth and sixteenth.
Wave shapes can be controlled via the Shape knob. You can move between Sine, Square, Ramp, Lumps and Monument Mode (random).
A special feature on the Monument is the bypass switch also has a momentary function. When the switch is in off position, press and hold to temporarily activate the effect to add a moment of texture. Releasing the switch turns the effect off.
When the pedal is on, press and hold the bypass switch to ramp up the tremolo rate. Release the switch and the rate will ramp down to previously set tempo.
Setting the depth knob at 0 and the volume knob above unity creates a clean boost.
With the SY-1, it’s never been easier to infuse your creative arsenal with BOSS’s legendary guitar synth technology. This amazingly expressive tool is filled with 121 ultra-responsive sounds, all distilled down into a BOSS compact pedal that slides easily into any setup. Best of all, it’s as simple to use as a standard stompbox, so you don’t need any background in synth programming to bring a new world of sonic textures to your music.
A Universe of Synth Sounds Inside
With its 11 categories and 121 total sounds, the SY-1 puts an enormous array of synth colors at your fingertips. Expressive leads, sweeping pads, layered organs, fat basses, and more are all on tap, plus a variety of rhythmic synth patterns that are a blast to jam with. And with the grab-and-go Tone/Rate and Depth knobs, you’re able to adjust any synth voice just how you like, including changing the pitch on some sounds.
The CS-3 Compression Sustainer pedal compresses louder signals while boosting lower signals, providing smooth sustain without degrading the original sound quality. This is the perfect pedal for guitarists and bassists who want to sound their best.
Updated in all the right places for top notch tone and playability.
Updates to the V3 are as follows: • Added Tone knob (bass cut) for the ability to shape the low end of your guitar signal. • Soft switch/relay bypassing for smoother more reliable operation. • Moved to top mounted in/out jacks. • Updated art by Adam Forster that gives a humble nod to the original art that started it all.
The Deep Six is a true bypass studio-grade compressor in stomp box form, inspired by the performance of the Universal Audio 1176 with the simplicity of the Ross and Dynacomp. Offering a Level, Sustain, Attack, and Blend control, the Deep Six will give you unmatched versatility at a price you can afford.
Polarity will never be an issue as the Deep Six comes standard with a polarity correction circuit. The internal voltage is doubled to 18 volts giving you the maximum amount of headroom for your sound while maintaining a typical current draw of 8.9mA.
The Deep Six also offers a Blend and Attack control which allows you to use the pedal with active pickups or humbuckers. The blend feature allows you to use high output instruments while truly being able to dial out any distortion that may be present.
The Julia is a fully analog, feature-rich chorus/vibrato packed with a wide array of tonal landscapes begging to be explored. Updated for 2020, Julia now has top mounted jacks, soft switch bypassing and updated art from Adam Forster.
Julia is able to produce mild smooth chorus, to seasick vibrato and everywhere in between. With controls like Lag, Dry-Chorus-Vibrato Blend, and selectable analog LFO wave shapes, you are able to dial in all types of classic and unique chorus/vibrato sounds; some settings giving a familiar feel while others are not found on traditional chorus pedals.
A special feature of the Julia is the Lag control. The Lag knob lets you set the center delay time that the LFO effect modulates from. From smooth and tight modulation at lower settings, to warbling detune at maximum, the Lag knob adds a new dimension to the traditional Chorus/Vibrato landscape.
D-C-V KNOB While most chorus/vibrato pedals offer a toggle to go between the two effects, we’ve provided a knob to blend between Dry, Chorus, into Vibrato (labeled d-c-v on the pedal). The Dry-Chorus-Vibrato Blend changes the ratio of dry to wet signal sent to the output. At minimum, you will hear no effect. Set it to noon for equal parts dry and wet – the traditional chorus setting. Set it to maximum for 100% wet – the traditional vibrato setting. Explore the ground between minimum and noon for adding slight amounts of movement to your dry signal (also making the Julia great on bass guitar). Explore the ground between noon and maximum for all sorts of unheard chorus/vibrato combinations.
The Jupiter V2 has some new updates making it an even more essential fuzz to any player's signal chain.
•Increase of gain on tap.
•Adjusted volume control making it easier to dial in unity gain.
•Altered tone control for improved high frequency response.
•Added gate control via internal trim pot to tame noise, or to achieve the spatty "dying battery" tones.
•Killer new artwork and a new coal sparkle powder coat on the enclosure.
•Brushed Aluminum knobs
The Jupiter is a true bypass fuzz pedal inspired by the desire for gritty, thick and loud fuzz. Fuzz pedals tend to emphasize specific frequency ranges, which is both a positive and negative attribute. The Jupiter’s controls allow you the ability to dial in the right amount of fuzz with the right tonal quality to either stand out in the mix, or ride it out with the drums and rhythm. It includes a Mode switch that changes between three different clipping diode arrangements, providing more options and combinations of fuzz and tone and a Bass cut toggle switch for dialing in low end.
Dynamic, responsive, tube-like, and amp-like. Walrus Audio is extremely excited to announce the new 385 Overdrive that is boastfully responsible for all those adjectives. For decades now, guitarists in search of pure tone have been taking the tube-powered audio sections of vintage film projectors and using it as a guitar amp. Heads up – it sounds amazing.
After endless hours of research on vintage Bell and Howell 385 Filmosound projector, Walrus has created a fantastic new overdrive modeled after the projector’s tone. The Bell and Howell 385 gracefully lends itself to create an amazing guitar amp. Its simple, but effective controls, plus dual 6V6 output section make for a simple and extremely responsive amp that has an amazing compressed overdrive when cranked.
THIS was the sound and feel Walrus needed to shoot for in an amp-like pedal. The 385 was developed to have the same simple but effective tone control as it’s grandfather. The amp has this as well but bass and treble are stacked behind the single tone knob. With our design breaking them up, we allow for a much wider array of tones to be achieved. The user is able to boost and cut bass and treble, allowing them to be creative with mid-frequency scoops and bumps.
The pedal is internally running at 18v, which helps us nail the same dynamic feel of the amp in a stomp box. This means it is extremely sensitive to how hard you dig in – just like the amp.
The Voyager is a gain/preamp overdrive that boasts a full spectrum of tone from any setting on its simple set of controls. From its lowest to highest settings, the Voyager provides a uniquely superb amount of clarity to any style of playing.
At lower gain settings, it brightens the signal and adds clarity to each note played. With the gain turned up, the Voyager transforms into a thick overdrive, providing depth to chorded playing while retaining the clarity needed to break through on solos. Has True Bypass switching.
The Warhorn is a mid-range, transparent overdrive pedal that’s capable of punchy rhythm, to searing Texas Blues leads. For added versatility, the pedal features a toggle switch that provides two flavors of clipping. The up position is a more compressed, symmetrically clipped tone, and the down position is an asymmetric, more open and organic sound. It includes Level, Drive, Bass and Treble controls providing a large range of tweaking and shaping options for your original tone.
The Warhorn comes in “prismatic gold” enclosure with white, cream and black ink. Artwork features a warrior at the front lines brandishing an intricate battle horn leading his army in a victorious battle.
For Ages, overdrive has been the one effect vital for so many. It’s used to charge through front lines of the mix and deliver a clear message that won’t soon be forgotten to its loyal listeners. Ages is a massively versatile overdrive machine standing at the ready for any amp and pickup combination that is thrown at it. An overdrive with innovative features that can stand on its own and stack well with other drives, Ages is ready to stand its ground and convey an unforgettable sound.
The five-position rotary knob offers the following gain states:
I. Low-gain mode with symmetric silicon soft clipping. Compressed and smooth. II. Low-gain mode with symmetric LED soft clipping. Pushed, open, and sparkly. III. High-gain mode with symmetric silicon soft clipping. Increased saturation and tight. IV. High-gain mode with symmetric LED soft clipping. Saturated, punchy and big. V. High-gain mode with symmetric silicon hard clipping. Heavy compression, thick and chewy.
Think of each position as a different “flavor” of the pedal. Fine-tune each of these gain states with the dry knob for a near infinite supply of gain options.
Built from the ground up, Walrus Audio has developed a new 2-in-1 boost to help make leads stand out, slides sing, finger picking come to life and to push tube amps into great natural breakup. Like the veins its named after, the Emissary Parallel Boost features two independent boost circuits running in parallel to work together to help give your tone a real “sinus clearing experience”. Use one or the other by itself, or mix any combination of both by turning up each knob to the desired level.
The top knob controls the volume for the “bright” boost circuit. This is a clean, high headroom JFET boost, with a slight emphasis on higher frequencies to liven up your tone. The bottom knob controls the volume for the “mid” boost circuit. This circuit features a targeted boost at either 1kHz or 800Hz selected by the toggle switch.
The bypass switch also features a momentary function. When the bypass switch is in off position, press and hold to temporarily activate the effect. Releasing the switch turns the effect off.
Step up to the RC-5 and prime your pedalboard with maximum looping range. Capture sound with premium 32-bit quality, navigate parameters and monitor loop status with the backlit LCD, and tap into expanded operation via the control jack and TRS MIDI I/O. And with over 50 rhythms, 13 hours of stereo recording, 99 phrase memories, and more, the compact RC-5 puts a deep well of musical power at your feet.
The genuine BOSS and Roland Dimension effect is back, and it’s now more versatile than ever! Designed in the premium Waza Craft analog tradition, the DC-2W offers not just a perfect sonic recreation of the original DC-2 Dimension C pedal, but also the legendary SDD-320 Dimension D studio rack effect it was based on. The DC-2W features the same intuitive four-button preset interface as the original ‘80s-era effects, now evolved with electronic switching that unlocks a multitude of sonic variations not available on the vintage units.
Highly sought-after by musicians and audio engineers, the Dimension’s unique spatial processing magically enhances the width and depth of any sound, from electric and acoustic guitars to keyboards, vocals, and other sources. Built from the original circuit designs and updated with modern refinements, the DC-2W is the only pedal available that delivers the classic Dimension experience with complete sonic authenticity.
The high-impedance FV-50H is designed to be connected before guitar effect units in the signal chain.The low-impedance FV-50L is a stereo volume pedal that can be used for a wide variety of purposes including keyboards.
Ultra-portable and easy to use, the GT-1 delivers pro-level tones everywhere you play. Driven by the powerful BOSS GT-series engine, it gives you access to a huge selection of world-class amps and effects for all types of music. A streamlined interface enables quick and intuitive sound creation, while an assignable control switch and expression pedal provide dynamic real-time effects adjustment. And by connecting to BOSS TONE CENTRAL, you can download free pro patches, editing software, and more. Equally suited for beginners, weekend warriors, and traveling players, the GT-1 packs premium sound in a compact and rugged package.
The ODB-3 Bass OverDrive delivers the chest-resonating distortion that hard rock, thrash, and punk bassists have been waiting for. This hot compact pedal has been designed specifically for bass applications.
The BOSS PH-3 Phase Shifter pedal provides a wealth of vintage and modern phasing effects, including new "Rise" and "Fall" modes for unique, unidirectional phasing. Syncing these phasing effects is as simple as tapping the pedal to the desired tempo, while an optional expression pedal provides realtime control of the PH-3's Rate, Filter and Tempo.
We helped generate the classic guitar tones that inspired players to create new music, and now with the Santa Ana Overdrive, we’ve brought our expertise to stompboxes. Armed with FET technology, this pedal lets you dial in sounds varying from “just a little hairy” all the way to thick, fully saturated overdrive. The flexible tone controls unlock a wide range of sonic flavors. This pedal cleans up with the guitar’s volume control, just like our famous amplifiers.
There’s no denying the power of a good delay; ranging from subtle to smashing, this ambient effect is one of the cornerstones of modern music. The Mirror Image Delay brings this atmospheric effect to your rig, giving you the ability to create depth with a simple slapback or develop an epic soundscape with modulated repeats. Digital, Analog, and Tape modes—each with two voicing variations—make this expressive and inspiring pedal indispensable. It even has the option to add a dotted-eighth note for those Irish-inspired washes of sound. The delay tails continue when the pedal is bypassed, ensuring a natural sound.
Powered by BOSS’s MDP technology, the CP-1X is a new type of multiband compressor for guitar that preserves the character of your instrument and technique for unlimited musical expression. Intelligent processing analyzes your signal in multiple dimensions as you play, providing advanced dynamics control that never colors or muddies your tone like typical stompbox compressors can. The simple, four-knob interface makes it easy to dial in sophisticated results, while the handy gain reduction indicator always shows you how much compression is being applied. Optimized for all types of guitars, the CP-1X offers next-generation performance for every style of music.
The BOSS RC-1 is our simplest and most user-friendly Loop Station ever, and it’s a ton of fun! Since the RC-20 Loop Station was first released in 2001, BOSS has led the way by continually releasing new looping products. Though they’ve been used and enjoyed by various looping artists and performers, BOSS still pursued an easier and more affordable solution. The RC-1 is a straightforward looper that is easy to operate. Experience the fun of looping when you record, playback, overdub, and undo or redo loops using this compact BOSS stompbox. And of course, the RC-1 retains the BOSS quality and performance that musicians around the world have come to expect and rely on.
On the top panel, there is a new and innovative loop indicator, which consists of a 24-segment LED laid out in a circular pattern. You can quickly and easily determine the current status of the Rec/Overdub/Play modes. With a maximum 12 minutes of stereo recording time, the RC-1 is capable of capturing any extended performance that you can create or imagine! The stereo in/out jacks can be used with stereo effects and amplifiers. Additionally, they allow you to connect stereo instruments, such as synthesizers. Other convenient features include battery and AC power, as well as flexible external footswitching capabilities. The RC-1 is an especially great partner to start enjoying looping!
The BOSS BD-2 Blues Driver guitar effects pedal delivers that creamy yet crunchy sound you've heard countless great blues guitar players call up - and at a great value! The BD-2 Blues Driver simulates the sound of a vintage tube amplifier, giving you instant access to timeless tones. It also responds to your playing dynamics, so you can pull out a range of tones to give each note the perfect flavor and feel. All in all, you'll love the warm overdrive and emotive distortion the BOSS BD-2 Blues Driver adds to your rig.
The BOSS CH-1 Super Chorus pedal offers up classic clean and shimmering chorus tones - it's arguably the best-selling chorus pedal on the planet, and a stellar pick for any guitarist or keyboardist. The CH-1's four onboard controls let you take charge of your chorus sound - there are effect level, EQ, rate, and depth controls. Crank up the rate for a dizzying psychedelic twist - or, pull back the rate, turn up the depth, and use the BOSS CH-1 in stereo for a lush, wide wave.
The BOSS BF-3 Flanger pedal lets guitarists and bassists apply big stereo flanging effects to their rigs easily, at a very affordable price! This stompbox fits your pedalboard and gives you the great sound of the venerable BF-2 while adding two new modes. Plus tap-tempo and momentary flange make your axe stand out when you want it to. The BF-3 includes separate guitar and bass inputs, stereo outputs, and easy-to-use controls. You want fat, dimensional flanging effects? Check out the BOSS BF-3!
The MT-2 Metal Zone is one of BOSS' most popular pedals. This stompbox provides some of the most over-the-top, insane distortion tones in the world—with huge mids and lows and an ultra-saturated sound.
IN STORE ONLY: We sell a huge variety of strings in store for guitar, bass, ukulele, banjo, mandolin. Also capos, knobs, and misc parts!
IN STORE ONLY: What kind of cable did you need? if you're not sure, we'll figure it out somehow! 1/4in, XLR, Speakon, Powercon, 3.5mm, RCA, and more!
IN STORE ONLY: We offer sticks, heads, rings, moon-gel, random bits of hardware and clamps, brushes, bags, holders, clappers, zingers, hoisters, and bolsters. Come by to check out